The Wall Street Journal // Sounder

The highlight had to be the two scores that concluded the marathon, and thus the [Ojai] festival: Nathan Davis’s “Sounder,” receiving its premiere, and Louis Andriessen’s “Workers Union.” “Sounder” made use of an installation by the MacArthur “genius” grant-winning Trimpin in which drum heads, cymbals and a toy piano hanging within one of the Libbey Bowl’s shading sycamores were remotely controlled from the stage.
— David Mermelstein, The Wall Street Journal