“The highlight had to be the two scores that concluded the marathon, and thus the [Ojai] festival: Nathan Davis's "Sounder," receiving its premiere, and Louis Andriessen's "Workers Union." “
-David Mermelstein, The Wall Street Journal
“an involved exploration of the ringing timbres produced by both the toy piano and a set of bell chimes that Ms. Chen operated by pulling, striking or using a violin bow on them. At its climax it is almost nightmarishly mechanistic, yet that quality quickly evaporates, leaving only simple, slow-moving chimes at the end.”
-Allan Kozinn, The New York Times